Showing posts with label to retouch or not to retouch. Show all posts
Showing posts with label to retouch or not to retouch. Show all posts

Thursday, July 7, 2011

Some photos and musing on manipulated images.

 I took this shot back in 2008, outdoors with supplemental lighting. The model is named Vivian. Vivian had some concerns about certain camera angles that she thought wouldn't be flattering. I had pretty much no idea what she meant. It is taking me rather a long time to get used to the idea that many people are concerned with how they look on camera. In fact I used to sharpen every detail even on my portraits. I don't really have a problem with wrinkles or freckles, but I'm having to learn to remove "imperfections", or accentuate certain features and subdue others. It's difficult in a way, because I find people so interesting, so beautiful that I don't want to change a thing. But the camera puts in it's own bias. So does the light. So do a lot of things. The portrait is not the person. It's a frozen moment in time. The best compliments I get are those which speak to capturing a person's "essence" and i just heard another photographer say the same thing exactly. I think it's what we strive for in one way or another.
 This is an older photo from 2005, taken in a cafe I think. her face and the angle of her pose, the tilt of her head reminds me of someone who might have posed for a renaissance era painting. I also like the contrasting feel introduced by the Ramones t-shirt. The Ramones were a pioneering punk rock band.
 This was one of my favorite "Poetry Night" portraits when I shot for a weekly open mic poetry event. This young woman had a very quiet, calm and charismatic presence. There were a lot of people at Poetry Night who impressed me very much.
This is a current "portrait" of a cappuccino. Yes, that is the correct number of p's and c's, I had to look it up. Shot in available light which was nearly 100% artificial and from numerous sources. Luckily the weird mix of color temperatures didn't ruin the shot. In fact I think the reflected yellow light from the upper left corner was an enhancing element. I have far fewer hangups and attachments about retouching a cup of coffee than a person's face or body. I can push the envelop quite a bit on a landscape or a macro. People are another story altogether.